Tag Archives: Delmarva

Matthew Hosea: An Early Settler Near Trap Pond

This week I’ve been looking at an interesting early settler in the Trap Pond area named Matthew Hosea (pronounced Hozey). I don’t know when he came here or where he came from, but he received a patent for a 100-acre tract named New Dublin in 1716, and was a head of household in 1723, according to the earliest tax list. That’s very early for the neighborhood in question.

Hosea probably lived closer to Trussum Pond and James Branch than to Trap Pond. His “neck of the woods” was called both Hosea’s Neck and the Great Neck, and as early as 1730, surveyors noted a path leading from Matthew Hosea’s to Indian River. I suspect this path crossed either Trap Pond or Raccoon Pond, and parts of it probably survive today. In 1734, a 50-acre tract named Snow Hill (not to be confused with other tracts named Snow Hill) was patented to Hosea; its first bounder was “a Marked White oake standing one the north side of a branch of Broad Creek called the bald Syprus Branch a Littell Distance from the side Of the sd branch and a bout two hundred pole [1,100 yards] above wheere Matthew Hosey Now Lives in a Neck called the Great Neck…”

Hosea’s descendants held onto his land for a long time, possibly even into the 20th century, and a local schoolhouse was labeled Hosey School on maps as recently as 1945.

It would be irresponsible to try to guess what kind of man Hosea was. Why did he settle in what was then an untamed wilderness, far from neighbors and even churches? Was he a sort of free spirit who craved independence in isolation? Or was he a sterner sort of fellow who simply settled where he could afford to?

We can only be sure of one thing: He had to work very, very hard just to survive, build a farm, and provide for his family, out here on the outskirts of civilization.

– Chris Slavens

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Sambo, Paris, and Ceasor: Cord Hazzard’s Negro Boys

A few days ago I was reading the will of Cord Hazzard, made in 1766, in the hopes of learning more about a piece of land he sold to John Regua in 1754, and noticed that he had given his son, David, “…one negro boy named Sambo and one negro boy named Paris and one negro boy named Ceasor…”  Slaves, in other words.

I’ve been looking at a number of records pertaining to free blacks lately, and have always been interested in connecting free blacks to slave ancestors, so I did a few quick searches to see if I could learn any more about Sambo, Paris, and Ceasor. Surprisingly, potential matches for all three appear in census records from 1800 through 1830.

First, a bit of background information. Cord Hazzard was one of several men with that name; I can think of four off the top of my head. The unusual name was most likely inspired by a member of the local Cord family. He is most likely the same Cord Hazzard who had a 100-acre tract named Flat Land surveyed for him in 1727. Though located in Somerset County, Maryland, at the time, a reference to a path from Cedar Neck points to today’s Baltimore Hundred in Sussex, perhaps near Ocean View. It seems the peninsular boundary dispute didn’t faze Cord, for he also acquired lands on the north side of Indian River, then controlled by Pennsylvania. Other members of the Hazzard family owned a great deal of land in what is now eastern Sussex.

Will of Cord Hazzard, 1766

Although I don’t know exactly where Cord was living when he made his will, it mentions Swan Creek Branch and Long Neck, both in Indian River Hundred. The probate date is January 11, 1771, meaning Cord died in late 1770 or early 1771.

When David Hazzard made his will in 1790, he mentioned sons Cord, David, James, and John, but not Sambo, Paris, or Ceasor. It’s possible that they were simply considered part of his estate, and divided among the sons, or it’s possible that they were no longer in the elder David’s possession at the time. Strictly speaking — and without digging through manumission records and the like at the Delaware Public Archives — their fate is unknown.

But speculatively speaking, which is more fun, a handful of 19th-century census records suggest that they might have been freed and might have kept/taken the Hazzard surname.

In 1800, there was a free colored head of household in Broadkiln Hundred named Parris Hazzard, and a free colored head of household in Mispillion Hundred named Caesar Hazzard.

Interestingly, there is also an 1810 record for a man named Paris Coard who was living in Broadkiln Hundred. There is no reason to assume that Paris Hazzard changed his surname to Coard, and this might be a coincidence, but it’s worth noting. It’s also worth noting that there were Mispillion heads of household listed as “Ceasar F. N.” and “Sambo F. N.” (free Negro) in 1810, but these are probably not our guys. Sambo is probably the man named Sambo Bounds in the 1820 census. There were also a number of other free black men named Caesar and Sambo living in Kent and Sussex Counties during the early 19th century.

In 1820, Casar Hazzard was a head of household in Murderkill Hundred, aged 45 or older, with a son aged 14-25, and a wife. That son might be the Ceesar Hazzard who appears in Cedar Creek Hundred in 1830, aged 36-54. The Casar Hazzard living in Murderkill Hundred in 1820 was born before 1776, so it’s possible that he was the Ceasor mentioned in Cord’s will in 1766. If there’s any truth to this scenario, then he was probably born in the 1750s and probably died in the 1820s at, say, age 60-75, leaving behind at least one adult son. His migration from Indian River Hundred to Kent County over the course of several decades is consistent with the trends of the time (for example, some members of the mulatto Rigware/Ridgeway family followed a similar path to the Cheswold area).

In 1830, Sambo Hazzard was a head of household in Indian River Hundred, aged 55-99. The only other member of the household was a female who was 100 or older. This gives Sambo a birthdate range of 1731 – 1775, while the woman (if the record is correct) was born before 1731. Personally, I think it’s likely that this is the same Sambo mentioned in Cord’s will, because the name, age, and location are all consistent. All that’s missing is evidence for his manumission. Sambo was probably born in the 1750s or early 1760s, and probably died before 1840 in his seventies or eighties. Where was he prior to 1830? Perhaps he was still a slave, or perhaps he was free, yet living in another man’s household.

A genealogist could offer any number of objections to this scenario. For example, freed slaves didn’t necessarily go by their former masters’ surnames, though many did. Even so, it’s a matter of fact that Cord Hazzard left slave boys named Sambo, Paris, and Ceasor to his son, and it’s a matter of fact that there were free black men named Parris Hazzard, Caesar Hazzard, and Sambo Hazzard living in the right part of Delaware just a few decades later. Whether these facts are connected in the way I’ve suggested is a matter for further research, discussion, and contemplation.

– Chris Slavens

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Regua, Rigware, Ridgeway: The Evolution of a Nanticoke Surname

During the last couple of years I’ve written several articles about the Sockum family, notable for their unique surname and probable connection to the Nanticoke Indians. It’s a bit easier to research an unusual name like Sockum than others that are associated with the Nanticokes and Moors, such as Clark and Johnson.

The name Ridgeway might seem, at first glance, to be similarly mainstream, but a closer look at the Ridgeway family reveals that their name wasn’t originally Ridgeway, and they can be traced to a specific neighborhood in Sussex County. Considering their association with one of the oldest legends about the Moors’ origins, they are certainly deserving of more attention than they’ve received.

Notable Ridgeways include Eunice Ridgeway (1813 – 1896), the wife of Levin Sockum; and Cornelius Ridgeway, who was described as the “patriarch” of the Cheswold Moors in 1895, and who related a version of the legend in question.

Though there are a number of versions of what C. A. Weslager later dubbed the Romantic Legend, dating back to the 1850s but primarily recorded in the 1890s, many of the details are consistent. Rather than quote or summarize each version individually, I’ll list the core points:

  1. A white woman settled in or near Angola Neck, southwest of Lewes and in Indian River Hundred, roughly fifteen to twenty years before the American Revolution (i.e., 1756 – 1761).
  2. She was either Irish or Spanish, or, in one version, Irish with a claim to an estate in Spain.
  3. Her name was Regua, Señorita Requa, or Miss Reegan.
  4. She purchased some newly arrived slaves in Lewes, one of whom was very handsome. According to most versions, he could speak Spanish, and told her he was a Spanish and/or Moorish prince who had been sold into slavery. In one version, his name was Requa.
  5. The two married and produced mixed descendants who were scorned by the local whites, yet did not wish to marry the local blacks, so they either intermarried amongst themselves or married Indians. Their descendants in Indian River Hundred were numerous. Red hair is often mentioned.
  6. The name Regua (or Requa, etc.) evolved into the surname Ridgeway.

The facts are less dramatic, though they don’t disprove any of the plot points listed above, and are remarkably compatible with them.

John Regua, Indian River Hundred, 1740s – 1790s?

A mulatto whose name was recorded as John Rigway, John Regua, John Rigwaugh, John Rigwaw, and John Rigware, among other similar spellings, was living in Indian River Hundred as early as the 1740s. His daughters were baptized at St. George’s in 1748, and he purchased nearly 300 acres of land near Swan Creek from Cord Hazzard between 1753 and 1754. Variations of his name appear on tax lists throughout the following decades, and in my opinion, most of these creative spellings suggest that the name was not pronounced like the English surname Ridgeway. It seems more likely that the writers were struggling to spell a name which was unfamiliar, and probably foreign.

Although Regua is a rather obscure term, it could very well be Portuguese. Peso de Régua (or Pezo de Regoa) is a city in northern Portugal, and similar names can be found in Spain and in the Pacific. It should perhaps be noted here that another surname suspected to be of Portuguese or Spanish origin, Driggas or Driggers (possibly derived from Rodrigues or Rodriguez), appears in Indian River Hundred as early as 1770.

Little is known of John’s immediate family, and it’s difficult to connect the dots between him and later generations with certainty, but it’s likely that he had sons named William and Isaac, who, like him, appear in early tax lists for Indian River Hundred, as well as the records of St. George’s. In July 1785, William and Jane Riguway baptized a child who had been born nearly a year earlier, and just a few weeks later, Isaac and Lydia Riguway baptized a daughter named Allender. Isaac’s fate is unknown, but William appears in a number of records including the 1820 census (which vaguely described him as being 45 or older), and died before November 1826.

The Rigware family in Indian River Hundred, 1810 – 1840s

Census records allow us to identify several Rigware households in Indian River Hundred between 1810 and 1840, headed by:

  1. William Rigware, Sr., enumerated in 1820 and most likely the same man who was a taxable as early as 1774, and who is assumed to be John Regua’s eldest son. Interestingly, William’s household included one female slave who was 45 or older in 1820.
  2. Peter Rigware, age unknown, enumerated in 1810.
  3. John Rigware, enumerated in 1810 and 1820 with a birthdate range of 1776 – 1794. He is most likely the same man who appears in the 1830 census as John Rigway, aged 55-99, with a birthdate range of 1731 – 1775, and again in the 1850 census as 73-year-old John Ridgeway, living in the household of Nathaniel Clark in Lewis and Rehoboth Hundred. Comparison of these slightly conflicting records suggests that he was born circa 1776.
  4. Simon Rigware, enumerated in 1820 and 1840, with a birthdate range of 1776 – 1785. In 1840, his name was given as “Simon Rigware alias Jack.”
  5. Jacob Rigware, enumerated in 1820 with a birthdate range of 1776 – 1794. In 1850, a 60-year-old Jacob Ridgway was living in the household of John and Hetty Harmon in Broadkill Hundred. If they are the same man, then Jacob was born circa 1790.

With the exception of the enigmatic female slave living in William Rigware’s household in 1820 (who may very well have been a family member), all of these men and their family members were described as free colored persons or mulattoes. Although researchers using resources like Ancestry.com will find transcribed spellings like Rigwars and Rigwan, a closer look at the handwritten records suggested that the correct spelling is, indeed, Rigware. It should be noted that during this period, the family remained concentrated in Indian River Hundred.

Rigware, Ridgway, and Ridgeway in 1850

The 1850 U.S. Federal Census is notable for the amount of information it provides. Previously, only heads of household were named, and the members of the household were vaguely listed by gender and age ranges. In 1850 (and in every census since), each member of the household was identified by name and age. When it comes to the Rigware family, the 1850 census provides evidence for two important trends. First, they had begun to migrate northward, appearing in Lewis and Rehoboth Hundred, Broadkill Hundred, and Cedar Creek Hundred. Second, the name had been changed to Ridgway in certain instances.

Confusingly, the 1850 census also includes a number of Ridgeways who might or might not be related to the Rigwares. Connections to both New Jersey and Indiana are noted, which ought to interest anyone researching Nanticoke genealogy. However, I’ll ignore these households for the moment and focus on those which can reasonably be assumed to be related to the Rigwares of Indian River Hundred.

As was mentioned previously, John Ridgway, a 73-year-old mulatto, was living in the household of Nathaniel Clark in Lewis and Rehoboth Hundred. The name Clark, of course, has been associated with the Nanticoke Indian Association since its beginnings, and it was Lydia Clark who first recited a version of the Romantic Legend in 1855. Nathaniel’s wife was named Unicey, and they also had a daughter named Unicey, which might suggest some connection to Eunice Ridgeway, who was living with her husband, Levin Sockum, in Indian River Hundred at the time. It’s possible that the elder Unicey was John’s daughter, in which case her maiden name would have been Rigware or Ridgway. Some relationship between all of these individuals seems likely.

Eunice White Ridgeway, wife of Levin Sockum, 1813-1896.

Another John Ridgway was living in Broadkill Hundred at the time, though this one was 35. His wife, Sophia, was 20, while a third member of the household, 18-year-old Matilda Ridgway, may have been a younger sister.

Also in Broadkill Hundred was the household of John Harmon, who was 25. The only other members were his wife, Hetty, who was 20, and Jacob Ridgway, 60.

Moving northward, we come to the household of William Rigware, age 46, in Cedar Creek Hundred. He is assumed to have been the son of William Rigware, Sr., who lived in Indian River Hundred. William is notable for three reasons:

  1. He was the father of Cornelius Ridgeway, who was later described as the patriarch of the Cheswold Moors, and who remembered a version of the Romantic Legend.
  2. He continued to migrate northward between 1850 and 1860; when one considers his assumed residence in Indian River Hundred between his birth around 1804 and his father’s death in 1826, he is practically a direct link between the Indian River and Cheswold communities.
  3. By 1860, he, too, had changed his surname to Ridgeway.

Another person of interest in the 1850 census is a mulatto named Tilman (or Tilghman) Jack, who was living in Dover Hundred with his wife and six children. By 1870, he had become Tilghman Ridway and was living in Northwest Fork Hundred, near Seaford; by 1880, Tilghman Ridgeway and family were back in Dover. It should be remembered that Simon Rigware of Indian River Hundred was called “Simon Rigware alias Jack” in 1840. The significance of the Jack name is unclear.

The Ridgeway family in Kent County, 1850s – 1890s

By 1860, William Rigware had become William Ridgeway, and had moved his family to Duck Creek Hundred. Personally, I believe the change from Rigware to Ridgeway was deliberate. The former spelling, which followed older spellings like Rigwaugh and Regua, was used consistently for decades. I find it hard to believe that multiple individuals previously known as Rigwares suddenly became Ridgways or Ridgeways in 1850 without having decided to. It was not long after this that Levin Sockum’s family changed both the spelling and pronunciation of their surname to Sockume (sock-yoom). It’s possible that some of the multiracial families who claimed Indian ancestry changed their names during this period in a subtle attempt to improve their social status. Rigware was a mulatto name, Ridgeway was a white name — or so they may have reasoned. This is not to say that they were attempting to claim to be white; they continued to be described as mulattoes, and sometimes as blacks. Yet Weslager wrote of some of the Cheswold Moors successfully “passing” for white and moving away.

Cornelius Ridgeway — who was probably the great-grandson of John Regua — was talking about his own family’s history when he told a journalist about the legend of Señorita Requa in 1895, and had himself been a Rigware as a young boy.

Conclusion

Although there is no evidence that the Ridgeway family associated with the Nanticokes and Moors is descended from a white woman who married a handsome slave on her plantation in the Angola area in the 1750s, it’s a matter of fact that a free mulatto named John Regua bought a considerable amount of land in the right area during the right time period, and his descendants lived in Indian River Hundred for nearly a century before they began to migrate northward, and his surname evolved into Rigware by the late 18th century and Ridgeway by the mid-19th century. These facts are delightfully compatible with the core points of the Romantic Legend.

I should note at this point that there is no obvious connection to the historical Nanticoke Indians who lived along the Nanticoke River. I’ve called Ridgeway a Nanticoke surname in the sense that it is associated with the modern Nanticoke Indian Association and related groups in Kent County and New Jersey.

This article might have raised more questions than it has answered. Who was John Regua? Where did he come from? Where did he come by what seems to be a Portuguese name? Is it a coincidence that men named Driggas were among his neighbors, and Angola Neck was named after a major Portuguese colony?

Other surnames with a possible Portuguese or Spanish connection are found throughout the colonial records of the peninsula, such as Gonsolvos (Gonçalves), Francisco, and Dias. Some of them were associated with the Cheswold Moors.

When one considers these curious facts, the legends of the Nanticokes and Moors — including not only the Romantic Legend, but also tales involving shipwrecked pirates — begin to sound surprisingly plausible.

– Chris Slavens

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Quiacason House Sites of the Eastern Shore

In a recent article for the Laurel Historical Society, I noted the possibly coincidental links between local roofed graves, the family of John C. West (1814-1858), and a site in northeastern Wicomico County known as Quaacosan Ridge. This is one of several sites on the Delmarva Peninsula named after Native American mortuary houses and used as landmarks by surveyors from the 17th century into the 19th.

“Quiacason” — as I will spell the term throughout this post — is one of those Native American terms that the English colonists struggled to spell, resulting in creative spellings including quacasun, chiocason, quiocosin, quiocosine, quoioccason, quioccasin, quioccosin, quiakeson, quiankeson, quankosine, and even cuiackason or cuiaskason. It refers to a wooden mortuary or charnel house, described by some sources as crib-like, in which bodies of the deceased were placed. This custom was encountered in the mid-Atlantic and parts of the South, with some variations; for example, it seems that some quiacason houses served as permanent resting places, while others were intended to be temporary protective enclosures while a corpse decomposed, after which the bones were removed and buried in an ossuary.

The best-known account of a quiacason house on the Delmarva Peninsula is one of the latest. In a letter to Thomas Jefferson dated September 18, 1797, Cambridge resident Dr. William Vans Murray reported that a remnant of Choptank Indians (who he called Nanticokes) living at Locust Neck in Dorchester County, Maryland, preserved the remains of a chief named Wynicaco in a “Quacasun-house” or “chio-ca-son house.” Wynicaco died circa 1715, and is mentioned in many records of the period.

"Indian Charnal House" by John White, 1580s.

“Indian Charnal House” by John White, 1580s.

But references to local quiacason houses date back to the 17th century. Possibly the earliest is found in the description of a 500-acre tract named Quiakeson Neck or Quiankeson Neck, which was surveyed for James Weatherly in 1668 and described as lying on the “south side of Nanticoke River, beginning at a marked pine by a swamp near Indian Quiankeson houses.” (Marye, 1936). Other records place this site near Barren Creek in what is now western Wicomico County.

In May of 1686, the “King of Assateague,” whose people were living at “Askiminokonson” at the time, complained to the Maryland authorities “against Edward Hamond for that whereas it is a custom among them upon the death of an Indian king to save his bones and make a case with skinns wherein they inclose the bones and fill it up with Ronoke, and other their riches, he the said Hamond about a month since had upon the like occasion of one of their kings dyeing stolen away the skinns and roanoke from the place where he was layd…” Although the English took the complaint seriously enough to investigate, they eventually dismissed it.

A similar incident occurred in Nanticoke territory in 1707, when Samuel Marke, Isaac Mallett, and Joseph Tompson robbed a “Quiacosan house.” Although their guilt seems to have been taken for granted, six years later, Nanticoke leaders “Tom Coursey, Pantikas, and Rassekettham” complained that “they had not the satisfaction proposed for the robbery done by the Malletts on their Quankosine house…” It’s unclear where this happened. At the time, most of the Nanticokes were living in settlements along Chicacoan Creek and Broad Creek; “Pantikas” is surely an alternate spelling of Panquash, whose leadership among the Nanticokes spanned several decades, while “Rassekettham” would seem to be the same leader for which Rossakatum Branch, which flows through Laurel, was named. It’s unclear whether the issue was ever resolved.

Another tract named Quiakeson Neck, this one of 50 acres, was surveyed for Henry Dorman in 1734, and described as being “near the heads of the branches of Wiccomoco River bounded as follows Begining at a marked white oak standing on the North side of the Main Branch of the said Neck about sixty yards from the side of the afsd Branch & near the fork of the afsd neck where a Quiakeson house formerly stood…” The exact location of this tract is unclear, but in today’s terms it is probably located northeast of Salisbury.

A brief reference comes from a land commission held in Dorchester County in 1761, which noted that one of the original Choptank reservation’s bounders had been a tree standing in Cuiackason Swamp.

Another Wicomico reference — though the land was part of Worcester County at the time — is found in the description of a tract named Boald Cyprus (Bald Cypress), which was described in 1762 as “Beginning at a marked chestnut white oak standing on ye west side of Nassaongo Creek and on a point called the Quaacotion House Point on the south side of the afsd Point near the head of Nassaongo Creek…”

Yet another Wicomico reference — again, from old Worcester records — is found in the name and description of a 39-acre tract named Quaacosan Ridge, which was surveyed for Isaac Mitchell in 1758. This tract was fairly close to the Transpeninsular Line, or today’s state line, in or near the Pocomoke Swamp. The name seems to have survived in some form, for when the 14th election district was created in 1906, the “Quackinson School House” was used as a landmark.

The probable neighborhood of Quaacosan Ridge, from the 1877 Lake, Griffing, and Stevenson Atlas.

The probable neighborhood of Quaacosan Ridge, from the 1877 Lake, Griffing, and Stevenson Atlas.

Some thoughts:

  1. We shouldn’t necessarily assume that the local quiacason houses looked like the one John White painted in North Carolina. Even without a visual, we can make some educated guesses about their design based on their purpose and the materials available. Since a house had to protect decomposing corpses from scavengers — including black bears — for an extended period of time, it had to be strong. These were not flimsy structures. One can imagine a sort of elevated wigwam built with sturdy posts and enclosed with bark. Such a structure could withstand hurricanes if built well.
  2. It is apparent, despite the various spellings, that the English colonists (surveyors in particular) were familiar with quiacason houses and knew the Indian word for them. In an era when most landmarks consisted of natural features such as creeks and trees, and the occasional village or plantation, quiacason house sites were noteworthy. Between the stench of the rotting dead and European superstitions concerning graveyards, the colonists probably tried to avoid the sites (assuming they weren’t robbing them), but were certainly aware of their locations. Eventually, however, the demand for arable land prevailed. “Ridges” — in reality, points of high elevation compared to surrounding swamps — became ideal sites for homes and farm buildings.
  3. It is unclear whether quiacason house sites doubled as ossuary burial sites. Since relatively few of each have been documented, it’s not surprising that they don’t seem to overlap. Personally, I think that a dry, secluded ridge would have been a practical site for the burial of bones following their cleaning. From an archaeological point of view, it would probably be easier to locate quiacason house sites and search for evidence of ossuaries, than to search known ossuary sits for evidence of wooden posts — though either approach could work.

– Chris Slavens

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The Roofed Graves of Delmarva

This article was first published in the Laurel Historical Society‘s latest newsletter.

In the 1930s – 1940s, several sources reported the presence of old, roof-like, wooden grave covers or shelters in cemeteries in lower Sussex, notably at Bethel M.E. Church on the east side of Gumboro, the John C. West family cemetery near Raccoon Pond, and King’s M.E. Church near Trussum Pond. Their age, origins, and purpose were a matter of speculation. Additional sources published in the 1960s – 1970s indicate that the shelters were also used across the state line in eastern Wicomico County.

However, the mysterious shingled structures were documented only sparingly, and never seriously investigated. None are known to have survived to the present, making a handful of 20th-century sources and photographs the only evidence that such a custom ever existed.

Although the earliest known description is found in Delaware: A Guide to the First State (1938), compiled by members of the Federal Writers Project, Frank R. Zebley’s The Churches of Delaware (1947) is more helpful in that he mentions three specific sites, as well as two specific graves, those of John C. West (1814-1858) and his first wife, Mahala B. Truitt (1822-1852). Zebley also photographed some of the structures. Other sources include Graveyards and Gravestones of Wicomico by John E. Jacob, Jr. (1971) and Folklore of Sussex County, Delaware by Dorothy Pepper (1976). Usually called “roofed-over graves” or “A-frames,” the structures featured cypress or cedar shingles and gabled ends. Most were in poor condition even in the 1930s.

At this time, there are five known sites in Sussex County:

  1. Bethel Methodist Episcopal Church in Gumboro.
  2. King’s Methodist Episcopal Church near Laurel.
  3. The John C. West family cemetery on Wootten Road, near Raccoon Pond.
  4. The Daisey family cemetery on Wilgus Cemetery Road, between Roxana and Bayard.
  5. A cemetery associated with the Timmons family near Lowe’s Crossroads.

Jacob did not specify any sites in eastern Wicomico, but they were most likely located in the area between Pittsville and the state line. No sites are known to have been reported in Worcester County.

The grave of Elijah Daisey (1888-1891) near Bayard, Delaware, photographed in 1947. Courtesy of Joan Howard.

The grave of Elijah Daisey (1888-1891) near Bayard, Delaware, photographed in 1947. Courtesy of Joan Howard.

The available evidence suggests that the custom dates back to the 1840s, but it is unclear whether it developed locally, or was inspired by similar traditions in the South. Stone, peaked grave shelters known as combs are found throughout the Upland South, and have been dated to the 1810s, while shelters made of metal roofing have been erected even in the 21st century. (Dr. Richard C. Finch’s extensive studies of comb graves can be found at graterutabaga.com). All of the styles of shelters seem to be intended to protect graves, whether from animals, weather, or both. Different materials might simply reflect what was available; though stone slabs were rare and expensive on the peninsula during the early 19th century, durable cypress shingles were readily available, especially in the neighborhood of the Pocomoke Swamp. Cypress slabs were also used as grave markers, some of which still survive.

Locally, the custom’s association with John C. West and his family might prove to be important. Some of his descendants are buried at the King’s Church site, while some of his relatives and ancestors lived in eastern Wicomico County, relatively close to the Bethel Church site (but closer to Line Church, where, disappointingly, no roofed graves were ever reported). Interestingly—perhaps importantly, perhaps coincidentally—there is an area of high elevation in this neighborhood which was known as Quaacosan Ridge as early as 1758. Native American quacason houses were crib-like wooden structures which protected human corpses while the flesh decayed, after which the bones were removed. Although there is no obvious link between quacason houses and roofed graves, it is certainly fascinating to consider that the early English settlers encountered Native American “cemeteries” featuring above-ground wooden structures all over the peninsula, and used them as landmarks for decades.

Although the origins and purpose of the roofed graves of Delmarva are still unclear, it might be possible for us to learn more. They disappeared between the 1940s and 1970s; surely there are living locals who remember them. I am especially interested in learning about any additional sites, specific graves, or photographs, and hope to publish a much more detailed article about this mysterious custom in the future.

– Chris Slavens

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Delaware Thanksgiving Proclamation, 1915

Proclamation

The lengthening shadows of the passing days remind us that we are approaching the completion of another year.

To some, there may have come sorrow and misfortune; to others, gladness and success; but whatever has been the measure of our experience, we should not be unmindful of the obligation we owe to Almighty God. The acknowledgment of this obligation, which it has been our custom to express since first inaugurated by our forefathers, has left its imprint upon our National life and character and distinguished us as a Christian Nation.

For the great benefits we have received out of the abundant harvests, and other blessings which have been conferred upon us, we should be ever thankful and, altho peace and plenty abound on every hand, the people of our Country have seldom before stood in need of the strengthening power and guiding influence of Divine Providence.

Therefore, I, Charles R. Miller, Governor of the State of Delaware, do designate Thursday, November twenty-fifth, Nineteen Hundred and Fifteen, as a day of general thanksgiving and prayer.

Let us on that day, throughout the State, cease from our usual occupations and join together in our churches and in our homes and render thanks to the Divine Creator and Ruler of the Universe for the great benefits which we have received at His hands and implore of Him to grant to our Nation and to our State a continuance of the blessings of Peace and Prosperity.

In testimony whereof, I, Charles R. Miller, Governor of the State of Delaware, have hereunto set my hand and caused the Great Seal to be affixed at Dover, this tenth day of November, in the year of our Lord, One Thousand Nine Hundred and Fifteen, and in the year of the Independence of the United States the One Hundred and Fortieth.

By the Governor:

Chas. R. Miller

Charles R. Miller, Governor of the State of Delaware

Charles R. Miller, Governor of the State of Delaware

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Book Review: ‘Delaware Beer: The Story of Brewing in the First State’

In 2014, local author and journalist Tony Russo explored the history of brewing on Maryland’s Eastern Shore in Eastern Shore Beer: The Heady History of Chesapeake Brewing. Now he’s back with what is not so much a sequel as a companion volume, Delaware Beer: The Story of Brewing in the First State, published by the History Press.

Outsiders might expect such a book to be all about Dogfish Head, the state’s largest and best-known brewery and the thirteenth largest craft brewery in the nation. But Delaware Beer is, instead, the story of brewing in Delaware, and Dogfish Head is only one (important!) part of that story.

Russo covers the colonial era in a few pages, briefly summarizing the activities of the Dutch and the Swedes along the Delaware River, and referring interested readers to the more in-depth Delaware Brewing by John Medkeff, Jr. Readers might chuckle over the written request of Johan Classon Risingh, governor of New Sweden, for a wife who could make malt and brew ale, in addition to keeping up with other chores. The first chapter covers the 19th and early 20th centuries as well, when there was far more homebrewing and cidermaking going on than commercial brewing, although Delaware’s very own Diamond State Brewery, located in Wilmington, had its roots in the Nebeker brewery founded in 1859, and produced beer of one kind or another (including so-called “near beer” during the Prohibition era) until it closed in 1955.Delaware Beer by Tony Russo

Delaware Beer – at least the part of the story that most readers are probably most interested in – begins in earnest with the founding of Dogfish Head and Stewart’s Brewing Company in 1995. Russo credits their founders, Sam Calagione and Al Stewart, respectively, with setting “the standard for the way beer would be done in Delaware right from the start.” By focusing on quality rather than quantity, and growing sustainably, both survived the craft beer bust of the late 90’s. In addition to crafting innovative beers, Calagione crafted legislation that chipped away at the remnants of Prohibition, and arguably paved the way for the numerous breweries that have sprung up during the last two decades, not only in Delaware, but throughout the nation.

Following a rather extensive examination of Dogfish Head and Stewart’s, focusing particularly on their roles as pioneers in Delaware craft brewing, Russo takes readers on a tour of the breweries currently operating throughout the state, most of which opened during the last decade. Iron Hill, Fordham and Dominion, Blue Earl, 16 Mile, 3rd Wave, Mispillion and others – all have unique stories, as well as unique strategies for succeeding in an increasingly crowded market. However, these stories are presented as parts of a greater story; the individual breweries are not so much separate subjects as they are characters interacting in a plot that continues to unfold.

Delaware Beer is an entertaining, informative read for craft beer fans, but it’s also an important chronicle of an emerging industry. It offers a rare look into the inner workings of numerous competitors (which, admirably, seem to regard themselves more as independent partners) as they evolve from shaky start-ups into stable, young companies. Whatever the future may hold for craft beer – whether the boom gives way to another bust, or the existing breweries continue to prosper – Tony Russo has performed a vital, valuable task in documenting the local movement’s early years.

– Chris Slavens

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